Breaking and Entering: Santa Claus and the Perilous Adventure of Christmas

There’s a moment near the beginning of Klaus, a 2019 animated film about the origins of Santa Claus, that I can’t stop thinking about.

Here’s the scene: Jesper, a skinny and anxious post officer, is standing in the snow with a package in hand, peering through a foreboding iron gate at an even more foreboding house, and wondering to himself, How on earth did I end up here? Jesper’s life used to be awesome – a comforting cycle of naps and silk sheets and catered meals and servants answering his every whim. But that was before his Postmaster General father decided to teach him some discipline, exiling him to the Arctic port town of Smeerensburg and saddling him with the impossible task of delivering 6,000 letters there.

Jesper quickly discovered that the citizens of Smeerensburg had utterly no use for letters. Founded on a frozen wasteland at the edges of the maps, Smeerensburg had long been the battleground of two ceaselessly warring families – the Ellingboes and the Krums. For the town’s inhabitants, hating members of the opposing clan was a normal part of life. Bludgeoning each other with frying pans and rolling pins, dropping flower pots on each other’s heads, pushing each other off of ledges, and destroying each other’s houses were all common everyday activities. For months, Jesper had no opportunity whatsoever to deliver a single letter. That is, until he met Klaus – a hulking, reclusive, axe-wielding woodsman with a barn full of handmade toys. Klaus had found a drawing made by a boy who lived in a foreboding house, and wanted Jesper to deliver a gift to him. Discouraged and defeated, Jesper wanted nothing more than to pass up the offer and leave town for good. But Klaus was not a man to be argued with, and Jesper was terrified of what the woodsman’s massive hands and axe could do to him if he refused…

Standing outside the gate of the house, his eyes roving from the bear traps on the lawn to the spikes studding the roof to the guard dogs slumbering and slobbering on the porch, Jesper starts blurting out all the excuses he can muster. Without saying a word, the huge figure behind him pries apart the iron bars, lifts Jesper through, and then bends the bars back into place. The noise wakes the dogs, who come hurtling toward the terrified mailman with their fangs bared. Jesper braces for his impending death. Suddenly, Klaus stomps on a board beneath Jester’s feet. The impact launches the skinny postman skyward in a perfect arc, through the cold night air and down the chimney of the house.

You see where this is going? As the lights of the house come on and its disgruntled owner storms down the stairs, Jesper delivers Klaus’ package and frantically unbolts the door from the inside. He ducks outside just as a gun blast splits a hole in the door. Klaus pulls him into the shadows, shooing away the attack dogs with an imposing glance. The enraged house owner dashes out the front door with a still-smoking blunderbuss. Meanwhile, Klaus and Jesper creep to the window of the house and peek through. In the dim candlelight, a little boy begins unwrapping the mysterious package. He gasps in wide-eyed wonder at the beautiful handcrafted toy inside. Intrigued by the scene, Jesper glances at Klaus. The old man’s gaze is fixed on the boy. Illumined by the fire, his eyes shine with the same wonder and delight visible on the child’s face.

You can guess what comes next. As the legend of Klaus’ mysterious gift spreads, the children of Smeerensburg flock to Jesper’s post office to mail their own requests. Gradually, a partnership forms between the postman and the woodcarver. Klaus’ handcrafted toys bring Jesper the letters he desperately needs to meet his quota. In return, Jesper provides Klaus with a way to smuggle his toys into the lonely and shuttered houses of Smeerensburg’s children.

I won’t say anything more about the movie’s plot, because there are some great surprises along the way. You can find the film on Netflix if you’re interested. I’m not usually a fan of Christmas movies (except for It’s a Wonderful Life), but this film won me over with its beautiful animation, humor, and heart. In particular, that first scene of Jesper breaking and entering with Klaus’ gift moved me deeply in a way I wasn’t expecting.

The Christmas season means different things to different people. For some, it’s a time to savor nostalgia and appreciate beauty. For others, it’s a frantic shopping spree in the wake of Black Friday. For many, it’s an opportunity to gather with friends and family and celebrate togetherness. For those who have lost loved ones, the holiday can be a time of sorrow – a painful season of longing for what was. For Christians – Protestants, Catholics, and Orthodox alike – Christmas is a season of remembrance. As we give gifts to one another, we remember God’s greatest gift to us: Jesus the Christ, the long-awaited Savior sent to rescue humanity from sin and death.

As crazy as it sounds, Christians actually believe that this baby, who was born in a cattle trough to an impoverished Israeli woman, visited by outcast shepherds, and raised among a subjugated and oppressed people, was actually God in human flesh. Long ago, the God who the Israelites knew as Yahweh had promised to bless the nation of Israel and, through them, all the nations of the world. But there was a problem: God’s chosen people didn’t hold up their end of the bargain. Their leaders refused to listen to God’s commands, exploited the poor and vulnerable members of their society, and ultimately destroyed their own nation by foolish alliances with neighboring kings. Over time, the glorious kingdom of Israel became a smoldering ruin. Its people began to despair, questioning whether their God had abandoned them. Yet amazingly, in spite of their rebellion, Yahweh’s determination to bless Israel remained unchanged. Israel’s prophets foretold that a Savior would come one day, born in the tiny town of Bethlehem. This Savior would bring redemption for both Israel and the rest of the world – not merely liberation from physical struggles and oppressors, but a deeper rescue from the sin and evil that were devouring humanity from the inside like a cancer.

The stage was set. The people of Israel waited, yearned, and stoked the flames of their hope, desperate to keep the blaze alive. Yet nothing could have prepared them for what was coming. In history’s greatest plot twist, the infant born to heal our broken world turned out to be the Maker of that world. The God who made the stars had come to earth, put on human skin, and chosen to walk alongside his people. Like Jesper the postman, Christ had left a place of comfort and security to make an icy, uninviting town his home. Ultimately, the God who humanity had ignored and disgraced chose to stand in our place, to take the punishment that we deserved for our sin upon himself, and to suffer and die so that we might live. Because of Christ’s self-sacrificial death, we have all been freely offered forgiveness that we could never earn and eternal life that we could never deserve.

What on earth could have possessed the Creator of the cosmos to enter our dark and dangerous planet as a vulnerable child? What on earth could have motivated him to endure torture and death on a Roman cross? What on earth indeed. The answer, of course, is us. He did it for us, for you and for me. His motive was self-giving love. John 3:16 puts it this way: “For this is how God loved the world: He gave his one and only Son, so that everyone who believes in him will not perish but have eternal life. God sent his Son into the world not to judge the world, but to save the world through him.” Jesus, the Son of God, was a gift from God to humanity. He was a way for us to become who we were always meant to be, a way to fix the mess that we’ve made of our lives, and a way to restore our broken relationship with God. This baby born in a manger was the reason people started celebrating Christmas in the first place. After Jesus rose from the dead on Easter morning, he urged his followers to spread the news of his sacrificial death and resurrection life to the ends of the world: “But you will receive power when the Holy Spirit comes upon you; and you will be my witnesses in Jerusalem, and in all Judea and Samaria, and to the ends of the earth” (Acts 1:8).

This is why a short scene in an animated movie about Santa Claus stopped me in my tracks this Christmas. Believe it or not, I struggle to share the story of Jesus Christ – that utterly amazing story that I just described to you – with others. I believe that this story can heal broken hearts. I believe that Jesus Christ is the only hope for our broken world. Jesus himself made this claim: “I am the way, the truth, and the life. No one comes to the Father except through me” (John 14:6). Yet, all too often, when the opportunity to share this story arises, the fear of what others might think or say in response prevents me from saying what I know I should say. I’m afraid of making people uncomfortable and afraid of being uncomfortable myself. Sometimes, the ways that people respond to the difficult assertion that Jesus is the only way to God are downright hostile (Christians in many countries are ostracized, imprisoned, or killed for sharing their faith publicly). Like Jesper the postman, I balk at the prospect of delivering the package that I’ve been entrusted with. I start making excuses: It’s too dangerous. Look at the bear traps on the lawn, the guard dogs on the porch, the spikes on the roof! Too much could go wrong. What if I fumble over my words and look stupid? What if I alienate someone or cause tension in a friendship? Why does it have to be that person who’s so dang hard to talk to? What if people see me differently? What if they see no value at all in this thing that has given me so much hope? By the time I’ve reasoned myself out of it, the moment is gone.

Yet, there have been other moments when I have told the story. There have been moments when I’ve chosen to speak up and have given a fumbling explanation of what Jesus’ death and resurrection mean for the world. When that has happened, when the gift has been unwrapped and seen for what it is and then accepted, I’ve watched with wonder like the skinny postman at the window. I’ve seen the good news of Jesus Christ do its work on a heart. Honestly, it’s the most beautiful thing in the world. And do you know why Jesper’s story gets me? The wonder that I feel when someone encounters the grace of God is just a fragment of the delight that God feels every time it happens. Luke 15:7 puts it this way: “I tell you that in the same way there will be more rejoicing in heaven over one sinner who repents than over ninety-nine righteous persons who do not need to repent.” Like Klaus, God the Father stands just outside our window, yearning for us to take his gift and longing to witness our joy when we do. Like Klaus, he knows that the joy of the gift is worth the perilous adventure of breaking and entering. And get this: although he could do all of the work by himself, he lets us deliver the package. He invites us to watch at the window with him and share his joy. What a gift we have been given! What a tale we have been told! How can we not share something this good?

While most of us (hopefully) aren’t dropping flowerpots on each other’s heads on a daily basis, our world can be every bit as gray and frosty as Smeerensburg. Our towns are littered with smoldering grudges and petty feuds, fractured by distrust and prejudice, and filled with folks who hide in their shuttered houses. Yet, whether we like it or not, those of us who have chosen to follow Christ have become the post officers assigned to these towns. We’ve been given the perilous mission of delivering good news in an often harsh and hostile world. We’ve been challenged to steal past the bear traps and guard dogs and spikes, to slip through the defenses that people have built to protect themselves from truth and hope, to reach the human heart and use the chimney if necessary. Sure, it’s dangerous. But like the axe-wielding woodsman, the Giver of the gift is by our side all the way. He can’t wait to see people open his package. Don’t you want to be there to watch?

The Bittersweet Burden of Leaving and Letting Go

About a month ago, my little brother and I were driving through the hills of western Pennsylvania, watching the fiery colors of autumn flash by the windows. We had just left the home of one of my college roommates and were on our way to visit another roommate in Maryland. To pass the time, my brother popped the Fellowship of the Ring soundtrack into the car’s CD player. If you’ve been following this blog for a while, then you know that I’m a big Lord of the Rings fan. J.R.R. Tolkien’s stories are very close to my heart. So I was already feeling pretty darn wistful by the time the final track – “The Breaking of the Fellowship” – rolled around. As I listened to the melancholy strings and brass, I pictured Frodo and Sam leaving their companions and rowing away across the Anduin river. The time that my brother and I had spent with my friend in Pennsylvania had been wonderful, chock-full of laughter and goofiness and reminiscing. Now, like Frodo’s time with Aragorn, Legolas, and Gimli, it was at an end. I had wept when I said goodbye to my college roommates after graduation. Now, after saying goodbye again, I felt a familiar ache in the pit of my stomach. In spite of my attempts to elude and forestall it, farewell had tracked me down again, creeping up behind me with all the inevitability of autumn’s chill.

I’ve been thinking about goodbyes a lot recently. This autumn has been a season of changes for me and for my family, transitions mirrored in the tumbling leaves, swaying corn stalks, and honking geese winging their way southward across the sky near our home. Early in October, my little sister and her new husband hurried off to start their honeymoon as friends and family showered them with leaves. Later that month, my grandparents rented a U-haul and moved back home to Florida to resume the ministry that God was calling them to. As October drew to a close, I found myself saying goodbyes to two beloved friends on the East Coast. Throughout November, I said more goodbyes to residents who were graduating from the group home where I work. Recently, I’ve been repeat-listening to Ben Shive’s amazing album The Ill-Tempered Klavier, a collection of songs that reflect on love, loss, the passing of time, and the changes of growing old.

I’ve always hated saying goodbye, whether it’s parting with loved ones or watching the sky darken after sunset. Yet, in spite of my frustration, goodbyes remain a fact of life. I guess I’d better learn to make my peace with them. But how to do it? I’m in the thick of this struggle and don’t have all the answers yet. However, I hope that what I’m learning along the way can be an encouragement to you if, like me, you’ve wrestled with the bittersweet burden of leaving and letting go.

Nothing for the Ache

person looking out through window

Goodbye is an intruder who we were never meant to meet. In the opening chapters of Genesis, the first book of the Bible, we learn that the first humans were created to experience intimacy with each other and with their Maker. They were also given a shared calling to till the land and care for the creatures that God had entrusted them with. However, when Adam and Eve chose to rebel against God, they started to experience multifaceted brokenness: distance from their Creator, disunity in their relationship with each other, and exile from the garden they called home. Ultimately, humanity began to experience death, which is the ultimate goodbye. Loneliness and distrust had erupted into relationships that were once marked by harmony.

The painful goodbyes that we experience are the rubble of that ancient rebellion, the aftershock of an explosion which has reverberated through history into the present. We all long for lasting fulfillment. We yearn for relationships that will stand the test of time. But despite our best efforts and intentions, time continues its relentless forward march. Old friends move on, loved ones pass away, and trusted companions let us down. Thrills subside and highs give way to hangovers. All songs and tales must come to an end. Although our world has had thousands of years to get its act together, society continues to fall apart at the seams, ravaged by violence, oppression, deception, and greed. Scientists even predict that our expanding universe is over-stretching itself, chugging toward an inevitable heat death that will grind stars and planets to a halt. Whether or not we acknowledge these gloomy forecasts, we know the ache of loss all too well. It never seems to get easier. As the Lumineers sing, “Nobody knows how to say goodbye. It sounds so easy ’till you try.”

Despite the fact that we in America have more opportunities to distract, amuse, and comfort ourselves than ever before, the consistently high rates of drug abuse, divorce, and suicide in our nation testify to the truth that deep loneliness and heartache persist, rumbling underneath us like a fault line. Again and again, after trying and failing to make our pleasure and contentment last, we find that the things of this world don’t satisfy our longings. We feel the weighty truth expressed in the Book of Ecclesiastes: “All streams flow into the sea, yet the sea is never full. To the place where the streams come from, there they return again. All things are wearisome, more than one can say” (Ecclesiastes 1:7-8). We discover, as Ben Shive sings, that

There’s nothing for the ache,
the groaning of a heart about to break.
You’ll notice when you lie in bed awake,
feeling like you’re falling.

Beyond the Last Goodbye

man holding luggage photo

While we cannot escape goodbyes, the anger and sorrow that we feel when they come upon us are signposts pointing towards hope.  Despite their intransigence, loss and death are impostors that have wounded God’s good creation, and for all impostors there comes a reckoning. Goodbye will not have the last word. 

The same Bible that begins with a heartbreaking goodbye ends with a joyous reunion. In the Book of Revelation, we read about the promise of a new heavens and a new earth, where God will once again dwell with his people. Ironically, this coming renewal of all things was made possible by a farewell: Jesus Christ’s self-sacrificial death for sinners. When Jesus’ followers watched as their friend’s emaciated body was stowed in a tomb, they said goodbye to their hopes for a promised Messiah, the long-awaited prophet-king who would rescue them from sin and oppression. But when, on Easter Sunday, Jesus appeared to them again, as flesh-and-blood alive as he had ever been, they realized with bewildered joy that something had changed. Reality had been shaken by a seismic shift. Death itself had been mortally wounded. Resurrection – new life – was the destiny of God’s people. If Christ could rise from the dead, then all that had been broken by the Fall could be restored – in society, in the human heart, and in the very soil itself.

The hope kindled by Jesus’ resurrection reminds God’s people that even the passing of time will be redeemed. The apostle Paul tells us that “this light, momentary affliction is preparing for us an eternal weight of glory beyond all comparison, as we look not to the things that are seen but to the things that are unseen. For the things that are seen are transient, but the things that are unseen are eternal” (2 Corinthians 4:17-18). Like everything else in this world, our suffering will pass away. Beyond the last goodbye, just over the horizon, Jesus is preparing a lasting home for his people – a kingdom where truth and justice will soar like banners over a rampart. As someone wise once said, “Our future is as bright as the promises of God.”

Freed to Let Go

balloons flying in the sky

In light of this hope, how should we live in this land where goodbyes remain a fact of life? For starters, our relationship with our Creator and Savior has got to come first. This is a tough one for me. Jesus said this to his disciples: “He who loves father and mother more than me is not worthy of me. And he who loves son or daughter more than me is not worthy of me. And he who does not take up his cross and follow me is not worthy of me” (Matthew 10:37-38). If I’m honest with myself, I’ve got to admit that I invest a lot more time and energy in my relationships with other people than in my relationship with the One who made me. I care far more about what others think of me than about what God thinks of me. I try desperately to please people, and when inevitably I let them down or don’t measure up to my own expectations, I beat myself up on the inside. When relationships change or dissolve, I feel bitter and irritable, questioning why God’s plan for my life doesn’t match my ideals and why the people around me don’t either. I yearn for lasting community, for a place where I’m known and loved as I am. But to be honest, most of the time I just feel lonely. 

Whether by their own faults or by the unexpected changes of time, the people we love will let us down. Truth is, they were never meant to satisfy our deepest longings or alleviate the ache. They weren’t designed to carry the weight of our expectations, and expecting them to do so does them a deep disservice. Pastor Tim Keller once gave a lecture at my college’s chapel, and I remember him saying that if we build our identity on our relationships with others, then we end up placing a crushing burden on them and on ourselves. Too many marriages rupture because of selfishness – unrealistic and unreasonable expectations of what the other partner should be doing to make us happy. Singer-songwriter Jon Foreman of the band Switchfoot recognized this danger and discussed it in relation to his song “Enough to Let Me Go”:

In our barcode media, love is often portrayed as consumption. As consumers in a commercial-driven culture we can begin to view other souls as objects, or potential cures for our deepest fears and insecurities. “Perhaps if I found the right lover I would no longer feel this deep existential despair.” But of course no human soul could be the Constant Other, the face that will never go away. Only the infinite can fill that role. But the silence can be deafening. It’s a fearful thing to be alone… “I can’t live without you” – “I would die if you ever left me” – These are not the songs of love. These are the songs of consumption.

We were created to desire a relationship with our Creator, and no human relationship can satisfy that desire. If we expect people to fulfill our needs in an ultimate sense, then we’re setting ourselves up for crushing disappointment. Alternatively, if our self-worth is rooted in the love of God, which doesn’t change, then our love for others becomes the overflow of that faithful, self-sacrificial love. Resting in the unconditional love of God, we are freed to see people as they are – as broken, complicated souls capable of great evil and great goodness. We are freed to love people as they are and not as we want them to be, which is exactly how God loves us. Rather than stifling people, we are freed to give them space to grow and learn, freed to let them try and stumble and get up again on their individual journeys. Like a mother who watches her child leave home, we are freed to let them go, knowing that we can’t hold them forever and trusting that they are carried in the hands of God. Liberated from the burden of expectations, we can ask of others the question that Jon Foreman asks in his song: “Do you love me enough to let me go?”

Here There Be Dragons

red and multicolored dragon illustration

Living in the light of resurrection hope, we can savor each good thing that we experience in this world as a foretaste of the glory to come. Knowing that the destiny of this fractured world is not merely destruction, but re-creation, we can delight in sunrises and sunsets, whales and wolves, music and movies, constellations and cornfields. The good things that God has made will not be lost. Resurrection isn’t a helicopter air-lifting us out of this crumbling kingdom. It’s a seed planted in the heart of the earth, an antidote coursing through the soil and groundwater until all is green again. 

Art is a wonderful gift to creatures bound by time. By challenging us to pause and notice, to look for beauty in the seemingly ordinary, art draws our gaze past the gifts themselves to the Giver and Artist who fashioned them for our delight. This world isn’t just a backdrop for human activity. This world was made to be wondered at, to be adventured in. Here there be dragons. If we keep our eyes open, we’ll never run out of reasons to sing praises. “Earth’s crammed with heaven, ” wrote poet Elizabeth Barrett Browning, “and every common bush afire with God.” Rich Mullins recognized something similar when he sang: 

There’s more that dances on these prairies than the wind
and more that pulses in the ocean than the tide.
There’s a love that is fiercer than the love between friends,
more gentle than a mother’s when a baby’s at her side.

There’s a loyalty that’s deeper than mere sentiments
and a music higher than the songs that I can sing.
The stuff of earth competes for the allegiance
I owe only to the giver of all good things.

We’re finite beings with only so much time to give. We won’t get to do all the things that we’d like to do, or have the impact on the world that we might hope to have. There are only 24 hours in a day, and darn it, some of those hours require sleep (freshman year of college notwithstanding). Each day is a gift to be treasured, a song of intense beauty made all the more precious by its finitude. As Ben Shive sings, “Every day is the day to say goodbye.” Yet if no good thing is lost, then the acts of love that we undertake in the present will have eternal consequences, both for us and for those we serve. Seemingly small and insignificant acts of kindness may have stronger repercussions than we could ever have imagined. When we love people by telling them about Jesus, we’re both warning them about the reckoning that is coming and inviting them to join in the victory dance – the eternal celebration made possible by Christ’s death and resurrection. None of this love will go to waste. In Christ, we’re able to live like each day like its our last, while knowing in our bones that it isn’t. As Andy Gullahorn sings in his song “The Other Side,”

When that day comes, don’t look back.
Love will be the bags you pack
for the other side.

On and On and On

white clouds under blue sky at daytime

If we keep our eyes and hearts open, God has a way of ambushing us with hope, stoking the fires of our souls with small moments of magic that remind us of his promises and enable us to keep going. As my brother and I drove through the Pennsylvania autumn with “The Breaking of the Fellowship” thrumming in our speakers, the road leveled off and the hills before us gave way to an expanse of brilliant blue sky, framed like a photograph between walls of rock. Listening to the sawing of strings and the muffled thunder of drums, gazing up into that endless sky, I was reminded of a quote by C.S. Lewis that I had read a long time ago: “There are far, far better things ahead than any we leave behind.” While saying farewell to my friend in Pennsylvania had been painful, I was excited by the ways I’d seen God working in his life. The goodbyes that my college roommates and I had said to each other after graduation had made possible new beginnings for all of us – new work, new relationships, new adventures bringing new struggles and new joys. Like a shoot from a buried seed, new life had sprouted from loss.

There are moments when I wish I could turn back the clock, freeze the frame, and forestall the future. I struggle to believe that what’s ahead is better than what’s behind. Lord, help my unbelief. However, there are other moments when God pulls the curtain back a little bit, just enough to let me see some horizon. When that happens, I’m reminded that just as autumn’s chill is inevitable, springtime is inevitable too. I’m reminded that the Kingdom is coming, that through Christ it has already begun, and that no force of Hell can stop it. I’m reminded that, as Ben Shive sings, “Love is the reason the past is gone and the world turns on.” Hallelujah. Come, Lord Jesus.

I can think of no better way to end these ramblings than with yet another Ben Shive lyric:

Do you remember, when the morning fills the sky,
how all our darkest dreams surrender to the coming of the light?
And when I brush aside this curtain, I’ll find you shining like the dawn.
Beyond the ending of this world, we’ll go on and on and on.

“Happy-Sad”: Sing Street and the Magic of Music

It’s 1985 in Dublin, Ireland. For fifteen-year-old Conor Lawlor, life is falling apart at the seams. The country is in the midst of a recession. Unemployment is rampant, prompting many young people to flee across the sea to England in search of work. Conor’s parents are separating, and their constant shouting matches reverberate through the Lawlor household. Conor’s elder brother, Brendan, has dropped out of college and spends his days smoking hash. On top of all that, Conor has entered a new school, where he finds himself bullied by students and the principal alike. The lad’s future looks incredibly bleak. But then he meets a girl.

Raphina is very cool. She’s an aspiring model, a year older than Conor, and way out of his league. Nevertheless, Conor takes a risk and strikes up a conversation with her, inviting her to star in a music video that his band is making. There’s a catch, though: he doesn’t have a band. He’s never even written a song. But Raphina accepts the invitation, and that’s a cause worth starting a band for. There’s a lad at school named Darren who knows some other lads that can hold a tune. Gradually, a ragtag group of talented misfits is formed, dubbing themselves “Sing Street.” As they begin writing lyrics, composing melodies, and filming music videos, Conor starts to wonder if his reckless plan to win Raphina’s heart might actually work, and if the future might be brighter than he’d allowed himself to believe.

Do you remember what it felt like to be a teenager? For many of us, high school was a time marked by both hardship and hope. My teenage years were filled with emotional turmoil, loneliness, and insecurities. They were packed with attempts to impress others and, in doing so, to prove to myself and to them that I mattered. In many ways, they were years of deep darkness. However, those same years were also brimming with promise. It was a time when anything seemed possible, when the future was a bright horizon that seemed close enough to touch. Sing Street is a story that gets teenagers right, and it plunged me back into that mournful, magical time (many years ago for some, not so long ago for me). I enjoyed the moviethe first time I saw it. After re-watching it with others, I realized that it’s one of my all-time favorite stories. Alternately grim and jubilant, heartbreaking and hope-filled, it’s a deeply resonant story about the struggles of growing up, the adventure of falling in love, and the mysterious power of music.

One of Sing Street‘s many strengths is its well-written characters. Ferdia Walsh-Peelo shines as Conor, whose earnest, clumsy attempts at songwriting and romance are both touching and hilarious. Lucy Boynton is perfectly cast as Raphina, capable of conveying an uber-cool exterior with a well of deep emotion underneath. Jack Reynor is also great as Conor’s older brother, Brendan. A druggie and a dropout, he lives vicariously by giving his little brother sage advice on rock-and-roll, distracting himself from the failures that haunt him. His relationship with Conor is a strained one. However, the way that it develops is honest and ultimately deeply moving. Director John Carney made a bold move by casting unknown musicians rather than experienced actors as the members of the Sing Street band. It’s a move that pays off, both in the music that the kids create and the goofy, unpretentious ways that they interact with each other.

Then there are the songs. John Carney excels at making musicals rooted in realism (like Once, another great film about a band in Ireland). The songs occur in settings and circumstances that feel natural – taping recordings in someone’s living room, plunking out parts on a park bench, jamming at an end-of-year school disco. The members of Sing Street immerse themselves in the music of the 80’s. As they work to figure out who they are, their outfits and hairstyles change to match the tunes that they’re listening to. The songs that they create together are both tributes to the styles of the decade and fantastic tunes in their own right.

Sing Street has insightful things to say about the power of music and storytelling to affect our lives. For Conor, rock-and-roll is an escape – a way out of a day-to-day existence that is frequently brutal. However, over time, it also becomes an avenue toward community. There’s joy in discovering that the things that wake up your heart resonate with other people’s hearts too. There’s comfort in witnessing someone else affirm the hurts that you tend to hide. And there’s magic in hearing someone add a melody to your lyrics – a tune that you would never have thought of, but which feels like it was meant to be. As someone who has experienced these kinds of creative community, I was moved by the bonds that the kids in Sing Street form. The songs that Conor writes enable him to process the hardships that he’s facing and to glean meaning from them. At one point in the film, heartbroken and alone, he turns instinctively to his guitar, and finds solace in giving artistic shape to his sorrow. Sing Street filled me with gratitude for the simple gift of song, which I so often take for granted. What a gift! How amazing is it that the Bible, through which God reveals himself to us, is chock-full of songs – songs of praise and worship, songs about the beauty of the world, songs of lament, and even songs of romance? What a bewilderingly beautiful privilege it is to make music together!

There is much in Sing Street that is difficult to watch. If your conscience is unsettled by heavy profanity, scenes of bullying, and references to drug abuse, I wouldn’t recommend the movie to you. The lives of Conor, his family members, and his friends are difficult and deeply broken. The choices that they make are sometimes messy. Near the middle of the film, Raphina tells Conor that he needs to learn to be “happy-sad” – to come to terms with the sorrow that he feels rather than fleeing from it. It’s a great picture of joy, which goes beyond mere happiness and persists in the midst of suffering. It’s the kind of truth that we see in the Biblical psalms of lament, where songwriters groan and question and plead with God to change things, and then still choose to believe that God is good, that the horizon of the future bends toward redemption, even if it doesn’t look like it. The way that the movie ends captures this truth beautifully.

Sing Street is a film for those who know what it feels like to ache for redemption. It’s a movie for those who recognize that their world is falling apart at the seams and who yearn for a new start. It’s a story for misfits and dreamers who long to set sail for a country across the sea – a place where light and hope dwell. In its music, I can hear the echoes of that country. I hope that you can hear them too.

Stories to Share in the Autumn

Happy First Day of Autumn! Fall brings lots of wonderful stuff with it: leaves changing colors, thunderstorms, Halloween and Thanksgiving, ghost stories, pumpkins and cider and harvest. As a new season begins, here are a few great stories to hunker down with and share with others!

Books:
Peace like a River by Leif EngerAfter committing a terrible crime and then escaping jail, 16-year-old Davy Land has become an outlaw hunted by the police. Refusing to abandon their older brother to arrest and imprisonment, siblings Reuben and Swede leave their small midwestern town and set off on a cross-country expedition to find Davy and bring him home. While locating their fugitive brother seems like an impossible task, the siblings have one extraordinary asset: their widower father, Jeremiah, who believes wholeheartedly in miracles and seems to conjure them wherever he goes.

The Guernsey Literary and Potato Peel Pie Society by Mary Shaffer and Annie BarrowsAutumn is a great time for mysteries and love stories, and this book is a fantastic blend of both. After receiving a letter from a stranger, author Juliet Ashton finds herself swept up in a strange, fascinating tale revolving around the British island of Guernsey, which was occupied by the Nazis during WWII. Along the way, she meets a motley crew of war survivors whose lives were intertwined by stories, and finds her own story changing in ways she never expected.

Music:
Light for the Lost Boy by Andrew PetersonAndrew Peterson is one of the most gifted storytellers that I know, and this album is his best work. While each song is a beautiful work of art, the album’s strength is in the cohesive story that it tells about the loss of innocence, the passing of time, and the yearning for redemption.

The Cymbal Crashing Clouds by Ben ShiveThis album’s Beach Boys-inspired tunes and poetic lyrics find beauty in the mundane, challenging us to take a closer look at the world around us and to see the mysterious hand of the Creator at work in it. Check out these lyrics from the opening track, “Listen!”:

Shrouded in steam and smoke
On a dark cloud he approaches
And the tails of his coal-black coat
Are a train of lumbering coaches

He passes unseen like a ghost
But he thunders like a herd of horses
And he calls to the heavenly host
To join with their airy voices

Listen!

TV:
Over the Garden Wall – 
One of my roommates shared this Cartoon Network mini-series with me (looking at you, Dylan), and I shared it with my family, and now it’s one of our favorite stories to share with others. It tells the story of two brothers, Wyrt and Greg, who find themselves lost in the Unknown, a strange land where few things are as they seem. It’s a spooky, hilarious, and ultimately moving tale.

Sherlock – If mysteries and ghost stories are your cup of tea, and for some inexplicable reason you haven’t seen this show yet, get thee to Netflix and check it out! This show manages to be modern and surprising while also remaining faithful to the spirit of Sir Arthur Conan Doyle’s classic detective stories, which is an impressive feat. Brilliant filming, scriptwriting, and acting from start to finish.

Finding Fellowship

One of my earliest memories is of my dad reading to my brothers and me before bedtime. I remember laying propped up on my elbows, listening as Dad worked his way through old paperback copies of Watership Down and The Fellowship of the Ring. As he read, my head swirled with images of dark forests where strange beasts lurked, of weary travelers marching with swords and shields slung over their shoulders, of dragon caves buried deep in the bones of the mountains. Though some of the details in the stories went over my head, I still felt them stirring something inside me: a wild longing to pack my bags, lace up my tennis shoes, and take off into the unknown with a band of trusty companions. I wanted to be part of something bigger than myself. I wanted to pick up a sword and fight alongside the good guys (and I spent many hours trying to do so by attacking my brothers with a plastic lightsaber). I wanted to join the fellowship on their quest.

However, looking back on the years that followed those early tales, I’ve realized that most of my life has actually been a quest for fellowship.

My search for intimate community played itself out in different ways as I grew up. In elementary school, it was an effort to connect with other kids through storytelling: wacky skits and puppet shows and a hand-drawn fantasy game that my friends and I played at recess (my own version of Dungeons & Dragons, where battles for the fate of the world were decided by a paperclip spun around the pointy end of a pencil). In middle school, it was an inseparable friendship with a buddy at church, built around skateboarding and comic art and goofiness, and then a slow drifting apart as his parents divorced and I started struggling with anxiety and depression. In high school, it was a restless attempt to win people’s approval with my performance in academics, sports, theater, and choir. In college, it was the unexpected discovery of a different kind of community, which was strengthened by vulnerability – a group of broken people who gradually became family. Now, post-college, it’s been a process of saying goodbyes, meeting new friends, and wondering what community might look like in the months and years to come.

What does true fellowship involve? Why do some friendships thrive while others fall apart or disappear? What does it look like to cultivate community in uncharted territory? These questions have been on my mind a lot recently. I don’t have all the answers yet (a shocking turn of events), but I’ve learned a couple lessons along the journey through the wisdom of others and my own knuckle-headed attempts to love and be loved. I hope these ramblings can be food for thought and an encouragement to you wherever you’re at in your own quest for community. Here goes nothin’…

The Given Life

woman holding green leafed seedling

“My friends ain’t the way I wish they were
They are just the way they are.”
– Rich Mullins, “Brother’s Keeper”

Many books, movies, and songs portray intimate friendship as something that happens instantaneously, like awkwardness in a gathering of middle schoolers. You cross paths with someone whose interests, personality, and values seem to align perfectly with yours, clean as a cookie cutter, and before you know it, you’re inseparable.

We all long for close relationships with people who really understand us. We yearn for unbreakable, Frodo-and-Sam-type bonds with friends who will stick by us through thick and thin, come hell or high water. However, while there may be some instances where this kind of friendship springs up quickly and easily, often it seems to elude us. Old friendships dissolve with time and distance, or we’re hurt and neglected by people we trusted, or the relationships that we do have never seem to move beyond superficial things. All of a sudden we feel lost and lonely, wondering if anyone around us really knows or values us. While I’ve experienced seasons of deep, strong friendship, I’ve also experienced painful seasons of loneliness. Some of those seasons were the result of my own foolish choices, while others were the result of things outside my control. When storms hit and wash away familiar ground, how do we cope?

Once, while leading a Bible study in my college dorm, I compared the friendship of King David and Jonathan (1 Samuel 19-20) to the friendship of Frodo and Sam in The Lord of the Rings, hoping to make a point about the importance of finding friends who would remain loyal through life’s hardships. One of the members of the group, a guy named Paul, made a comment that has stuck with me ever since. He said that rather than searching for friends like Frodo and Sam, he had chosen to focus on being that kind of friend to others. His words rang true, touching on the critical distinction between true fellowship and the type of friendship that our culture tends to elevate.

Whether we realize it or not, we’re constantly pressured to be self-centered in our selection of friends. If we’re not careful, our society’s worship of efficiency, status, and comfort all too easily creeps into our relationships. We befriend people who agree with our opinions, who elevate our social status, who make us feel comfortable, and who tell us what we want to hear. On the other hand, we avoid like the plague people who challenge our views, who have nothing to offer us, who irritate us, and who make us feel awkward. We’re taught to chase after friendships that are idealized, where conflicts and sharp edges are smoothed over with the ease and glitter of a Hallmark rom com. In the long run, the result of this selfishness is discontentment. When old friends drift away and the people around us don’t meet our expectations, we become bitter. We start comparing our dwindling, imperfect circles of friends to the perpetually smiling faces on our TV screens, aching for what we don’t have.

What we tend to forget in these periods of discontentment is that the world is a whole lot bigger than us. As poet Wendell Berry put it, “We live the given life, not the planned.” Life has a way of throwing curveballs at us and confounding our plans with plot twists.We can’t pick-and-choose the people who enter our lives any more than we can pick-and-choose where we’re born, who are parents are, or what Hogwarts house we’re in (unless you’re a certain lad with a lightning-shaped scar, of course). Even in the communities that we choose to involve ourselves in, we find ourselves surrounded by people we didn’t put there – strangers whose temperaments, beliefs, and ways of life are often super different from our own. Every day, we rub shoulders with people whom we had no intention of meeting or knowing.

Fellowship isn’t selfish. It’s selfless. It’s not about figuring out what we can get from the people who fit neatly into our personal plans and projects. It’s about figuring out what we can give to the people who are already around us, whether we want them to be there or not. Jesus didn’t tell us to love the people who make us feel good. He told us to love our neighbors. And neighbors are often really good at making us want to flee our neighborhoods and go into hermitage. Likewise, real flesh-and-blood communities have a way of curb-stomping our dreams. As author Parker Palmer once wrote, community is the “place where the person you least want to live with always lives.”

When we stop thinking about what we can get from others and start thinking about what we can give, we can find contentment with the people who surround us at any given time. We can rest as seasons change and storms roll in, recognizing that relationships often change in surprising ways. Instead of expecting people to match our ideals,  we can approach people’s flaws and quirks with grace, remembering that our own lives have rough edges and broken places too. We can cultivate the soil of community, waiting patiently for the rain to fall and keeping at the work even when it doesn’t.

As a kid listening to The Fellowship of the Ring, I didn’t realize that the members of Tolkien’s fellowship didn’t choose to end up on their quest together. Sam, who was the gardener of the Baggins estate, joined Frodo at Gandalf’s request. The unlikely pair happened to run into Merry and Pippin and the rest of their companions en route to their destination. In my own life, some friendships that felt like they were destined to last forever have disappeared over time. On the other hand, some relationships that weren’t nearly as clean-cut have flourished. While my siblings and I often drove each other nuts growing up, they’ve gradually become some of my closest friends. Fellowship isn’t predictable or instantaneous. It takes time and work, and it grows gradually along the road with folks we just so happen to meet along the way.

The Small Stuff

Stormtrooper minifigure walking on the sand

“A journey of a thousand miles begins with a single step.”
– Confucius

In the summer and fall of my senior year of college, I had an amazing opportunity to live and study in an urban community on the island of Java, Indonesia. Although my neighbors were very poor, they managed to be extraordinarily generous and hospitable with what they had. When they weren’t working, people offered to help neighbors with their work, shared meals, and spent hours chatting, smoking cigarettes, and drinking sugary instant coffee together on their doorsteps (I mentioned that I liked black coffee once, and a neighbor told me that was what old people drank). Free time wasn’t a luxury to be hoarded; it was a gift to be shared. By watching their example and participating in their community, I learned a lot about the power of presence and time in relationship-building. Simply by making themselves available to be with each other, people created numerous opportunities for deep relationships to grow.

In a society where ways to distract ourselves from reality are everywhere, where it’s easy to be physically present without being attuned to what’s going on, the simple gifts of time and attentiveness are a big step towards fellowship. Hospitality, the act of opening our homes and helping people feel welcome there, is often said to be a lost art. As an art, it takes creativity and practice, and when done rightly, it’s beautiful and countercultural. One of the things that I admire most about my mom is her ability to make others feel welcome and cared for, whether it’s by crafting a delicious meal, setting up a space that feels inviting, or engaging visitors in conversation. These things seem small, but they’re deeply meaningful, and they add up over time. Fellowship is the product of many small actions and interactions.

My college years contained some crazy shenanigans. There was the time when my roommate Ben and I happened across a couple police officers while wearing ski masks. The annual school ball where another one of my roommates (who shall remain nameless….Dylan….) danced so passionately that he ripped his dress pants right up the back (fortunately Ben happened to have a spare trench coat handy). The time when my roommate Luke and I pretended to be Sherlock Holmes and Watson all around campus. The time when my friends threw me a Pride and Prejudice-themed birthday party and forced me to wear a giant paper dress. The five months of my time overseas when my roommates replaced me with a stuffed bear dressed in my clothing. These are wonderful memories that I’ll never forget. However, looking back, what I miss most about my college experience isn’t the crazy escapades. It’s the small stuff. It’s the many hours that my friends and I spent walking to classes together, grabbing meals in the cafeteria, watching movies, celebrating each other’s birthdays, and just sitting around talking in our apartments.

In The Lord of the Rings, the vast majority of the hobbits’ journey to Mordor didn’t consist of battles with Ringwraiths, orcs, and giant spiders. It consisted of walking. Lots and lots of walking. Walking though fields, walking through forests, walking through swamps, walking over mountains, walking through caves, walking through just about every kind of terrain imaginable. While all of this trekking through nature’s glories tends to be what makes casual readers of the books give up and/or fall asleep before they reach the good parts, it’s the many small moments between the big events that the adventurers’ bonds of loyalty were forged out of. And speaking of forging stuff…

The Hard Truth (a.k.a. The Virtues of Blacksmithing)

gray metal hand tool on gray bench

“You use steel to sharpen steel, and one friend sharpens another.” 
– Proverbs 27:17

My college roommates were really good at making me feel uncomfortable. Luke wasn’t afraid to be goofy or do things in public that were downright embarrassing. As a shy, self-conscious freshman, I found myself being dragged into some strange scenarios: being introduced by Luke to other freshmen as a taxidermy major, being yelled at by Luke in a crowded cafeteria until I relented and gave him a high-five, and listening to Luke belt out the Penn State fight song in public places at an unreasonable volume (I learned the lyrics to this song against my will). Ben was both a romantic soul and a great critical thinker who didn’t shy away from challenging statements that I’d made when he thought they were illogical or biased. As a result, we got into some pretty intense debates (you’re still wrong about Pride and Prejudice and ElihuBen). Dylan’s wild creativity and willingness to run with any scenario, no matter how ridiculous that scenario was, kept all of us on our toes.

Gradually, with time and extensive therapy, I came to see these unsettling actions as acts of love. Luke’s goofiness helped me meet new friends and chipped away at my self-consciousness, enabling me to drop my guard and be myself. Ben’s sharp thinking challenged me to evaluate my views, helping me recognize some of my biases and articulate my beliefs with more grace and thoughtfulness. His romantic encouragement also helped me work up the courage to go on dates. Dylan’s off-the-wall humor made me laugh more times than I can count. I’m a much different man than I was when I met these guys, and I can’t thank them enough for that.

At its heart, what distinguishes true fellowship from other kinds of friendship is a commitment to truth-telling. It’s easy to befriend someone who thinks like us, who echoes our opinions, and who laughs at our jokes. It’s a lot harder to befriend someone who gets under our skin, who asks us tough questions, or who calls us out when we start to make compromises. But we don’t grow through comfort. We grow through struggle. Steel has to be pummeled and subjected to blazing heat in order to be refined. True friends don’t tell us what we want to hear. They tell us what we need to hear, even though we may not want to hear it. Truth-telling can be uncomfortable and even painful in the moment, but it strengthens relationships over time. Your friend may feel insulted by your repeated attempts to warn him about the evils of being an Ohio State football fan. However, in the long run, he’ll be grateful for your advice when the world ends and Judgement Day rolls around.

There are different kinds of truth-telling, though. There are ways of telling someone a hard truth that tear them down, that make them feel small and inferior and incapable, and that highlight their shortcomings while glossing over our own. Our world has enough head-bashing and hypocrisy to go around. Alternatively, there are ways of telling someone a hard truth that build that person up, that are motivated by caring and focused on their well-being. This is what the apostle Paul described as “speaking the truth in love” (Ephesians 4:15). Truth and love are inseparable. According to pastor Tim Keller, “Love without truth is sentimentality; it supports and affirms us but keeps us in denial about our flaws. Truth without love is harshness; it gives us information but in such a way that we cannot really hear it.”

Singer-songwriter Rich Mullins once said, “What I look for in friendship is someone who will beat you up. You get in a big fight and then the winner rides the other guy home on the bike.” I’m so grateful for friends like Ben, Luke, and Dylan who weren’t afraid to beat me up in love. When I said goodbye to them after graduation, what I told each of them was that they’d helped me believe the crazy truth of God’s love for me a little bit more, which is the best gift I can imagine. In their friendship, I glimpsed the love of the God who welcomes me unconditionally, just as I am, and who also continually challenges me to become the person I was made to be – more loving, more just, more merciful, more courageous. More like Jesus Christ.

The Great Reunion

body of water surrounded green plants during daytime

“Do not be too sad, Sam. You cannot always be torn in two. You will have to be one and whole, for many years. You have so much to enjoy and to be, and to do.”
– Frodo Baggins, The Return of the King

For me, one of the most moving scenes in The Lord of the Rings movies happens right before the end of The Return of the King. Frodo, Sam, Merry, and Pippin have returned home from their world-saving quest and are sitting in the Green Dragon pub in Hobbiton, sipping mugs of ale. For a few moments, they stare at each other in silence, a wordless understanding of the adventures that they’ve shared passing between them. Then, all at once, they lift their mugs and tap them together. Every time I see that scene, I’m reminded of three men who I never intended to meet – Luke, Ben, and Dylan. I was in a bad place when I entered college – anxious, self-conscious, lonely, and broken by sin that I wanted desperately to hide. While I didn’t realize it then, I can see now that God gave me the ragtag band of companions I had always longed for. I found brothers who took me as I was, who walked with me through many small moments and several big adventures, and who told me the story of grace and redemption that I needed to hear. In the midst of my brokenness, I found a fellowship.

I’ve had to say my goodbyes. I hate doing it, and will until the day I die. I miss old friends deeply, and don’t have a clue where the road ahead will lead. But what I’ve learned, and what I hope you remember, is that life is unpredictable, and all the more beautiful for that; that community, with all of its messiness, is a gift; that our friendships are echoes of a greater Love, which doesn’t disappear, but pursues us wherever we go; and that there is a Great Reunion coming, where “goodbye” will be a forgotten word. When that time comes, if you’re in town and if there happens to be a pub in heaven, I hope you’ll stop by.

Movie Review – Kubo and the Two Strings

“If you must blink, do it now. Pay careful attention to everything you see and hear, no matter how unusual it may seem. And please be warned: if you fidget, if you look away, if you forget any part of what I tell you, even for an instant, then our hero will surely perish.”

These are the first words that we hear in Kubo and the Two Strings, a 2016 animated film by Laika Studios which is set in feudal Japan. They are spoken by Kubo, the film’s spunky, one-eyed protagonist. Right from the start, we are issued a challenge to pay attention, to not assume that we know where this story is going to go. It’s a brilliant beginning. And the tale that follows makes it easy for us to rise to Kubo’s challenge, grabbing and holding our attention with its breathtaking animation, memorable characters, and heartfelt narrative.

Every day, 12-year-old Kubo descends the grassy slopes from his cliffside home to a nearby village, where he earns a living by telling stories. His tales have a special twist: armed with a magical shamisen (a guitar-like instrument with two strings), Kubo is able to bring origami characters and creatures to life. In the evening, he returns home to care for his ailing mother, whose memory is slowly slipping away. In the brief moments when her memories return, Kubo’s mother tells him fantastical stories about his deceased samurai father, the wicked Moon King who stole Kubo’s left eye, and a legendary suit of armor hidden deep in the wilderness. She warns Kubo never to stay out past sunset. And Kubo listens to her… until the day when he forgets, when his world turns upside down, and when he discovers that his wild origami tales are far more true than he ever could have imagined.

If you’re like me and don’t get out to the movies much, you may have missed Kubo amidst all the hype surrounding Disney’s Moana and the Oscar-winning Zootopia, which were both released during the same year. While these were fantastic movies in their own right, Kubo is an even better film. The stop-motion animation (think Chicken Run and The Fantastic Mr. Fox) is wondrous to behold. Not only are the scenes well-shot from a cinematography lens, but they’re also incredibly textured and intricate in their detail. The places that Kubo visits along his journey are like the origami figures that he creates – hand-crafted, marked by rough edges and an artist’s fingerprints, yet animated by astonishing motion and life. Again and again, I found the handiwork of Laika Studios’ animators taking my breath away. Without a doubt, it’s my favorite animation in a movie to date.

As Kubo’s story progresses, we meet some memorable characters: the stern Monkey sent to guard Kubo on his quest (voiced by Charlize Theron), the bumbling Beetle who eventually joins the duo (voiced by Matthew McConaughey), and the sinister Moon King whose dark servants hunt the heroes (voiced by Ralph Fiennes, a.k.a. Voldemort). The dialogue between the characters is well-written, witty, and often laugh-out-loud funny. In particular, Kubo’s relationship with Monkey is great piece of character development. The voice acting is top-notch, and well-choreographed action sequences keep the narrative humming along at a brisk pace.

In addition to its vibrant animation and characterization, the film hits a home run with its thoughtful narrative. When Kubo urges us to pay attention, he means it, because details that show up early in the story reappear later on with surprising new significance. The magical events of Kubo’s tale are mysterious and unexplained, and all the better for it. Nothing here can be taken for granted. Right when you think you know what’s going to happen, another twist lurks around the corner, waiting to sneak up on you. Dario Marianelli’s sweeping orchestral score is punctuated by the plucking of shamisen strings, which lends the story an eerie, unearthly glow.

Kubo and the Two Strings is a brave, bittersweet kid’s movie that dares to tread deep waters by confronting themes of loss, grief, and suffering. There are grim moments along the way. “Give this story a proper ending,” the Moon King taunts our hero, and like Kubo, we start to wonder whether or not the hero is up to the task. The narrative isn’t without its faults. If there’s any criticism that I have of the movie, it’s the sharp contrast between the earthly and heavenly realms of the story. The beings who dwell beyond the edges of Kubo’s world are cold and callous, detached from the harsh realities of life on the ground. This blunt juxtaposition leaves no room for the possibility of a benevolent force at work around us – a Creator and Savior who not only bends to nurture and heal the brokenness of this world, but who also entered into the midst of its pain.

Despite these shortcomings, there is still treasure to be mined here. Kubo and the Two Strings has wise and beautiful things to say about the importance of loyalty to family and community, the relationship between suffering and joy, and the power of storytelling. It’s a weird, wonderful journey that’s well worth taking. I can’t recommend it highly enough.

Movie Review – How to Train Your Dragon: The Hidden World

On the island of Berk, vikings and dragons had been enemies for as long as anyone could remember. Dragons were a scourge on the villagers’ livelihoods, torching houses and gobbling up livestock. In response, vikings feared dragons and hunted them mercilessly. For generations, no one dared to question the logic of this war. No one, that is, except for a scrawny, clumsy lad with a head full of dreams – Hiccup, son of Stoick the Vast, who dared one day to help an injured dragon and, without realizing it, changed the course of his people’s history forever. 

That was six years ago. Stoick, the mighty and beloved chief of Berk, is dead. After defeating a cruel dragon trapper named Drago Bludvist and his terrifying “Bewilderbeast,” Hiccup has become the new chief of Berk. Vikings and dragons now coexist in an era of unprecedented peace. But this peace is a fragile one. Fleets of dragon trappers continue to patrol the seas, posing a constant threat to Berk’s dragons. One of them, a ruthless assassin named Grimmel the Grisly, is on the hunt for the last Night Fury – Toothless, the dragon who young Hiccup rescued and befriended. Surrounded by danger, the citizens of Berk are faced with a difficult choice: defend their ancestral homeland from relentless invasions, or set sail in search of a new home, a place where their dragon neighbors will be safe once and for all. A place like the Hidden World, a dragon kingdom which, according to legend, lies at the very edge of the earth. 

When the first How to Train Your Dragon movie was released in 2010, I loved everything about it – the awkward protagonist, the touching coming-of-age storyline, the tongue-in-cheek humor, and the soaring Celtic soundtrack by John Powell. I enjoyed How to Train Your Dragon 2 as well, admiring the darker, weightier themes that director Dean Deblois chose to explore. So, when I went to see the third film in the series with my little brother, I was expecting to enjoy it. But I wasn’t expecting to be blown away by it like I was. How to Train Your Dragon: The Hidden World is the best movie of the saga and a stunning conclusion to the story of Hiccup and Toothless. Additionally, I would argue that this trilogy has earned a place among the great film trilogies –  stories like Star Wars, Toy Story, the original Bourne films, The Planet of the Apes, and The Lord of the Rings. 

For starters, HTTYD 3 boasts some of the most beautiful animation that I’ve ever seen. The light, textures, and colors are lovingly and vividly rendered, and several shots – the village of Berk, the Hidden World, and a mountainous island covered in snow – are breathtaking in their detail. While most sequels fall into the trap of trying to outdo everything about their predecessors, this film is remarkably quiet and restrained. The story unfolds patiently, much of it told in sequences of images with minimal words. Most notable of these sequences is Toothless’ courtship with the Light Fury, a wordless, balletic encounter that manages to be tender, graceful, and hilarious all at once. One of the film’s many strengths is the time it devotes to developing Toothless as a main character. When action scenes happen, they’re kinetic and gripping. However, the battles don’t clutter or overwhelm the narrative, and it’s the film’s quieter scenes that leave a more lasting impression.

Like its predecessors, HTTYD 3 is at its best when it focuses in on the joys and hardships of friendship and family. The film hits a home run thematically, building on the best parts of previous character arcs and drawing them to conclusions that feel natural and right. Here, we see familiar characters grappling with new challenges: Hiccup, struggling to shoulder the burden of leadership and honor his father’s legacy; Astrid, trying to encourage and challenge Hiccup to become the man he’s meant to be; and Toothless, torn between love for Hiccup and his role as King of Dragons. As in earlier films, the awe and adventure of the story are mingled with sorrow. In a flashback scene, Stoick imparts hard-earned wisdom to a young Hiccup: “With love comes loss, son. It’s part of the deal. But, in the end, it’s all worth it.” This is a story that delves beneath the surface, asking questions about what real love for others looks like, about what leadership involves, and about the potential for joy to bloom in unexpected places – even places of loss and suffering. 

The movie is not without flaws. As in previous HTTYD films, the side characters are one-dimensional and largely undeveloped. Additionally, Grimmel is a pretty stereotypical villain, complete with exaggerated, angular features and an ambiguous Slavic accent. There’s a sense that the writers were trying to one-up previous villains by making this guy as villain-ish as possible. However, despite these quibbles, it’s a magnificent final chapter. Part of the film’s ending was spoiled for my brother and me by a trailer that we saw (one of those trailers…). But the way that the story wraps up still contained a couple twists that I found surprising and moving. The final scene is flat-out perfect. 

One of the marks of great fantasy is that it isn’t purely escapism. Rather, by launching us into unfamiliar territory, great fantasy challenges us to reexamine the familiar with fresh eyes. Expecting to be entertained, I left the theater with a deeper wonder at the beauty of seas and skies and stories, a deeper desire to love my family and friends well, and a deeper gratitude for the adventure that I’m living in. I was reminded that, like Hiccup’s story, the story that God is writing turns suffering into joy, and is full of magic and adventure. 

Here, as in Berk, there be dragons.

4 Really Good Reasons Why You’ve Got to Listen to Andy Gullahorn

The first Andy Gullahorn song that I ever heard was an ode to someone’s dismembered toe. I ran across the song in a concert video, where Gullahorn recalled hearing that his friend had lost a toe to a lawnmower blade. Titled “Roast Beef,” the song began this way: “He had roast beef for his last meal / His brothers went to market and to home…” From there, a story unfolded that was utterly hilarious (and weirdly moving…). That guy’s pretty dang funny, I thought.

Years later, I heard another Andy Gullahorn song called “That Guy.” This song opened with a story told in simple, matter-of-fact details:

He scoped out the market
All the women and kids
With so many distractions
Nobody noticed him

He had a jacket a size too big
A skullcap on his head
And a couple of homemade bombs
He duct taped them to his chest

Then came the chorus, a single line that took my breath away:

God loves that guy

Once again, Gullahorn’s lyrics had caught me off guard, but this time in a totally different way. With four words, the song had punched a hole through my defenses and gripped me by the heart. I was awed, convicted, and humbled. As the song transitioned into another story, I found myself marveling anew at the radical, bewildering truth of God’s love for broken people. And when the third verse rolled around with another unexpected twist, I was undone. “That Guy” was my favorite song of 2018, and it’s still one of the most moving depictions of the love of God that I’ve ever encountered. I’ve listened to it again and again, and even though I know what’s coming now, it still surprises me every time. Through the lyrics, I can feel God asking me: “Do you really believe I can love someone like that? What about you? Do you believe I can love you like that?”

This blog post is going to be my attempt to convince you to listen to Andy Gullahorn’s music. And I don’t mean listen to it in a passing way. I mean really listen to it, taking in the lyrics along with the tunes and soaking up the stories within the songs. I’ve been listening to Gullahorn’s albums for several months now, and I’m still being surprised by what I find there. I can’t write a review artful enough to do the music justice. But I can give you four really good reasons to do yourself a huge favor and check out this guy’s stuff. Here goes nothin’…

1. “Just Boring Stuff from Everyday”

person washing fork

Andy Gullahorn’s songs explore the familiar. The subjects that they tackle include things like romance, marriage, miscarriage, parenting, vocation, loss, and the joys and hardships of growing older. Intimate in scope, the songs challenge listeners to re-examine familiar rhythms of family life, friendship, and work, inviting us to see beauty in the seemingly ordinary. In his song “Chloe in Pasadena,” Gullahorn sings:

I can’t write any songs that have a funky beat
That make you want to dance
That get you on your feet
They’re more likely to put you to sleep
That’s the kind of guy I am

I can’t write any songs named after random states
After little towns or girls I used to date
It’s just boring stuff from everyday
That’s the kind of guy I am

Told in conversational, down-to-earth language, Gullahorn’s stories shine with tongue-in-cheek humor and love of life. In “More of a Man,” he recalls hunting deer, baling hay, and eating steak as a youth in Texas, then describes himself watching his diet and watching Dora the explorer with his children at 30. Bemused, he reflects: “Maybe I was more of a man back then…” In “Everything as It Should Be,” he describes a romantic moment with his wife:

All the dishes are done and the candles are out
When the kids are in bed, we collapse on the couch
Your head on my shoulder the next half an hour
Everything’s as it should be

Then the second verse comes, with a subtle twist that finds beauty in an unexpected place:

Most of our cereal bowls have a chip
We’re all out of bread, so add that to the list
We’re late for the bus at the corner again
Everything’s as it should be

Whether it’s grappling with grief in “Death Without a Funeral,” pondering the challenges of parenting in “Teenagers,” or reflecting on marriage in “Give It Time,” Gullahorn’s songs search for meaning in the messy and mundane. Over and over, I’ve found them pushing me to look more closely at my own life, to notice the opportunities for grace, gratitude, and growth that all too easily pass me by.

2. Guitar…

grayscale photo of person holding guitar neck and strings

In addition to recording his own albums, Andy Gullahorn has traveled extensively as a guitar player and background vocalist for his wife, Jill Phillips, another talented singer-songwriter. He has also collaborated and co-written with artists like Jason Gray and Andrew Peterson. While many of his songs have little more than acoustic guitar as instrumentation, the warm, intricate melodies that Gullahorn creates make each song a unique work of art. Songs like “Desperate Man,” “I Will,” and “Light a Candle” feature some of the most beautiful guitar parts that I’ve heard. 

3. Tales with Twists

aerial view of sharp curve road during daytime

Andy Gullahorn is a masterful storyteller. What I love most about his songs is the way that their stories unfold slowly and patiently, often revealing surprising twists and turns along the way. Songs like “How Precious Life Is,” “New Pair of Eyes,” and “Freedom 2.0” draw you in with humor, then sucker-punch you with deeply moving insights when you least expect it. In the song “I Haven’t Either,” Gullahorn asks the listener:

Have you ever been so selfish 
That you let your baby cry
While you finished up a video game?
I haven’t either
That’s pretty bad

We find ourselves chuckling at this confession, up until the song turns in an unexpected direction:

Have you been so full of doubt
That you just can’t pray to God
‘Cause you wonder if he even exists?
I haven’t either

“Is It Real” begins similarly, setting the scene with a strange story about a communion service:

There’s a man who looks like Donald Trump
In front of me in the communion line
I know that I’m supposed to keep my mind on better things
But his hair looks like a helmet of gold
Glued on by a three-year-old
Nothing makes it move and so I can’t help wondering
Is it real?

Then the third verse comes:

Now I walk up front and kneel down
Every Sunday morning I’m in town
It might be out of habit now
It’s really hard to tell
But I bring the doubts that haunt my mind
These questions in the songs I write
And somehow in the bread and wine
I think I feel you there
Is it real?

There are so many songs like that. I won’t spoil any more of the twists, because there’s something beautiful about a song that sneaks up on you. Check out the song “Dad Like Mine,” for instance, and just try not to feel something as the song unfolds its story. 

4. Beauty in Brokenness

broken heart hanging on wire

While the stories that Gullahorn tells are intimate in scope, they also touch on universal experiences of brokenness – fear, doubt, failure, regret, and loss. The song “Different Now” took me by surprise because of how perfectly it summarized my own struggle with faith:

You know the good kid growing up, that was me
I was voted most likely to be a priest
And I thought I could not let anyone down
My definition of the way to be kind
Was to lose myself and shun desire
I thought I had life figured out
But I am different now…

I felt the holy water as a kid
Still the love of God felt like a stranger
Had to live and die to become born again
Baptized in the fire of all my failure

Gullahorn’s lyrics can be raw at times. “Nowhere to be Found” and “End of a World” are painfully honest lament songs that refuse to gloss over feelings of anger, confusion, and despair. In “I Want to Be Well,” Gullahorn confesses a painful awareness of his own shortcomings:

And it feels like a lie
That I’m made in your image
All my faith has run dry
I’m more a skeptic than a witness

As I’ve listened to Gullahorn sing about brokenness, I’ve been comforted by the discovery of shared experiences. There is solace to be found in realizing that someone else has walked the lonely road you’re on, that someone else has questioned God’s existence and goodness, that someone else has wondered whether they’ve screwed up one too many times for another second chance. 
Yet, as heavy as their subject matter can get, Gullahorn’s songs offer beautiful glimpses of grace and hope breaking through the darkness. Sometimes, it’s a simple offer to share the road, as in the song “I Will”:

Sometimes people think it’s better
Feeding you an answer to what you can’t understand
But if you want someone who
Will just cry with you
I can

Other times, in songs like “Not Too Late,” it’s a signpost pointing to a deeper, stronger light on the horizon:

It’s not too late to understand
Grace is more than a concept to believe in
It’s something more real than your beating heart
It runs to the depths of where you are
It follows you there, retracing your steps
Whispering over and over again
That it’s not too late
It’s not too late
It’s not too late

So there you have it. If you’re new to Andy Gullahorn’s music, I’d recommend starting with the albums Reinventing the Wheel, Fault Lines, and Everything as It Should Be. These albums are among my all-time favorites, and I love each of them for different reasons: Reinventing the Wheel for its witty humor and surprising stories, Fault Lines for its beautiful reflections on brokenness and grace, and Everything as It Should Be for its poignant, seasoned wisdom. While The Law of Gravity and Beyond the Frame aren’t as good overall, they’re still packed with some beautiful, beautiful songs. The albums are streamable on Spotify, and available for purchase online through the Rabbit Room (store.rabbitroom.com). 

Well, I’ve done my bit. There be treasure here, mateys. Happy hunting.

The Knucklehead, the Drunkard, and the Warrior Heart

If you want to know what I was like as a kid, picture Hiccup from the movie How to Train Your Dragon, and that about sums it up. I was a shy, quiet daydreamer with the physicality of a string bean. Instead of listening to class lectures, I doodled pictures in the margins of my notebooks. My report cards throughout elementary school said the same thing in different ways: “Jesse’s a creative kid, and he’s doing well in his classes, but he struggles to pay attention.” Fourth grade was my first year of school in the United States. Having spent half my life growing up in Slovakia, a tiny country sandwiched in the heart of Eastern Europe, I was an outsider stepping into a foreign culture. I don’t remember much about that first year, and most of what I do remember revolves around recess (playing tag football and four-square, exchanging trading cards, feeling awkward around girls, etc.). But I do have a vivid memory of a sheet of paper that hung on the back wall of my fourth grade classroom – a sign-up sheet with the words “Author’s Chair” typed across the top. And I will always remember that classroom as a place where something that was buried deep in my soul stirred, shifted, and woke up for the first time. 

My fourth grade teacher, Mrs. Fales, was a middle-aged woman with kind eyes and a loud, hearty laugh. She noticed early on that I enjoyed the writing assignments that she gave to our class. I would scribble words rapidly without pausing to think, stringing sentences together like my life depended on it. Mrs. Fales had decided that every Friday would be “Author’s Chair” day. Any kid who wanted to could sign up to read something they’d written aloud to the rest of the class. She encouraged me to sign up, and it was with great nervousness and anticipation that I scrawled my name on that paper. 

I still remember settling into the “Author’s Chair” chair and staring out at my classmates, who sat cross-legged on the carpet and stared back at me. I still remember the first story that I shared. It was called “Cyber-Dimension,” and was about ninja-style warriors who wore armored suits, lived inside the internet, and battled evil robots. I still remember the excitement that I felt as I told the story and realized that my classmates were enjoying it. All of a sudden, I didn’t feel so awkward anymore. Something in my cheesy tale had resonated with my classmates and connected me to them. I wasn’t alone. I had cracked open the closet of my weird ideas, and my classmates had affirmed what they saw there.

After that day, I signed up for Author’s Chair every single week. My fifth grade teacher continued the weekly story-sharing ritual. I wrote a story about some of the students in our class crash-landing a plane in the Sahara desert, struggling to survive, descending into madness, and then taking down a criminal mastermind who they happened to run across. Later, I wrote a story about some of the students in our class getting shipwrecked at sea, struggling to survive, and then taking down the same criminal mastermind who they happened to run across again. In sixth grade, I wrote two books about secret agents who saved the world with the help of a crime-fighting rabbit. My classmates took turns checking out the books and writing reviews on the back pages. With the encouragement of Mrs. Fales, I had discovered that I loved telling stories, that I was good at it, and that the stories I told connected me to a community. I wasn’t a paid author, and I hadn’t been published (thank goodness!). But I felt like I was, and I felt like I had.

Have you ever had a teacher who saw something in you that you didn’t see in yourself? Someone who affirmed a talent or passion in you and challenged you to bring it into daylight? Someone whose attention and affection made you feel valuable and capable? Words are incredibly powerful things. With words alone, we can shred someone’s self-esteem to the point where they wonder if their life is worth anything. With words alone, we can build someone up until they know in their bones that they are beloved. Hopefully you’ve had people in your life who have affirmed your unique personality, gifts, and dreams like this. But what about God? When you think about your Creator and hear his words, do you sense condemnation or affirmation? Do you feel built up or torn down? You may believe without a shadow of a doubt that you’re loved by your family and friends. But if you’re anything like me, believing that you are loved by God can be the hardest thing in the world. 

I love the apostle Peter. He’s my favorite character in the Bible. He’s also different from me in just about every way – reckless, headstrong, outspoken, and muscular (hauling loads of fish into a sailboat day in and day out was the ancient precursor of P90X). Chosen to be one of Jesus’ disciples, Peter loved his master fiercely and vowed to protect Jesus at all costs. He must have swelled with pride when Jesus foretold that he would become the leader of the early Christian church (Matthew 16:18). And yet, when soldiers arrested Jesus and dragged him off to be tortured and hanged as a traitor, Peter fled the scene with the rest of the disciples. Not only that, he denied ever knowing Jesus three times to save his own skin. In one of the most heartbreaking passages in the entire Bible, Peter made eye contact with Jesus from a distance as his master was being brought to trial by the Jewish authorities. Afterwards, he ran off and wept. He had failed his friend in the most miserable way possible.

Peter’s sorrow resonates with me on a deep level. Throughout my life, I’ve yearned to love God with reckless abandon. I’ve made numerous promises to follow him. I’ve worked hard to get to know him and to live like he wants me to live. And yet, over and over again, I’ve let him down. I’ve chosen to turn my back on him when it mattered most. I’ve wrestled with fear, doubt, selfishness, and addiction, making some horrible choices that have hurt me and those I love deeply. I’ve betrayed the God who I claim to love. Like Peter, I’ve run from Jesus, terrified that I might turn around make eye contact with him. If I did, what might I see in his eyes?

But (praise God!) Peter’s story doesn’t end there. Jesus was beaten and killed, and after three days he busted out of the grave – not as a disembodied spirit, but as a flesh-and-blood human being. While fishing with his friends, Peter saw the resurrected Jesus standing by the edge of the Sea of Galilee, and was so overcome with joy that he jumped out of the boat and flailed his way to the shore. After they had shared a meal, Jesus gave his friend some astonishing news: the mission that he had foretold for Peter had not changed. A traitor and a turncoat, Peter was still the man that God had chosen to lead and protect his people. With a track record of failure and absolutely nothing to offer, Peter was given a second chance. 

The pages of the Bible reveal that each and every one of us has, like Peter, betrayed the Creator of all things. We’ve chosen to rebel against God’s design for our lives by doing things that we knew were selfish, foolish, and hurtful. Even those of us who claim to be “born again” believers have continued to reject God’s commands and wound the people we love. Addicts to sin, we find ourselves doing stupid things out of habit. In his letter to Christians in Rome, the apostle Paul made this confession: “I do not understand what I do. For what I want to do I do not do, but what I hate I do…What a wretched man I am! Who will rescue me from this body that is subject to death?” (Romans 7:15, 24). While we often try to deny it, we’ve screwed up big time. We deserve condemnation. 

And yet, and yet, in spite of our broken promises, failed attempts, and sorry excuses, we have been affirmed. Later in his letter to Christians in Rome, Paul wrote: “There is therefore now no condemnation for those who are in Christ Jesus” (Romans 8:1). Those of us who have received God’s offer of forgiveness have been accepted by God without a hint of disapproval. Elsewhere, Paul wrote: “For our sake, he (God) made him (Jesus) to be sin who knew no sin, so that in him we might become the righteousness of God” (2 Corinthians 5:21). Not only are we not condemned, but we are given a new status before God – a status that is based not on our performance but on Jesus’ faithful obedience. Now, when God looks at us, he doesn’t see the mess that we’ve made of our lives. He sees the self-sacrificial love of his beloved Son, Jesus Christ, for us. Because of Jesus’ death for our sins, we have a new identity. More words from Paul: “Therefore, if anyone is in Christ, he is a new creation. The old has passed away; behold, the new has come” (2 Corinthians 5:17). 

If you’re anything like me, that last verse is both incredibly comforting and difficult to stomach. My gut instincts kick in, and I find myself saying, “Yes, but…” Yes, I am a new creation. But it doesn’t feel that way. Yes, I have been given the righteous track-record of Christ, which I could never hope to earn or deserve. But I am still so very unrighteous (I hope you heard that last bit in a surfer dude voice, like I did). I believe that I have a new identity, but I feel like the same selfish knucklehead that I’ve always been. God gave me a mission, and I’m still messing it up. How can I possibly be a new creation?

Several days ago, I watched a 2010 remake of the classic western film True Grit. In the film, a young girl named Maddie Ross (played by Hailee Steinfeld) enlists the aid of a U.S. Marshall named “Rooster” Cogburn (played by Jeff Bridges) to track down the man who shot and killed her father. Rooster is a grizzled law officer who is looked upon by his community as a has-been. Once a feared keeper of the peace, he’s now a trigger-happy, penniless old man who spends his days swigging booze and sleeping in a broken-down shack. Starry-eyed and full of hope, Maddie sees Rooster as the seasoned hero who can avenge her father’s murder. As the two journey through the wilderness of Arizona, Rooster develops an affection for Maddie and begins to tell her tales from his past. Once, he tells her about how he charged seven outlaws with the reins of his horse held between his teeth, firing with both of his revolvers. When Maddie shakes her head in disbelief, Rooster tells her: “You go for a man hard enough and fast enough, he don’t have time to think about how many’s with him; he thinks about himself, and how he might get clear of the wrath that’s about to set down on him.”

However, slowly and surely, Rooster lets Maddie down. He spends the money that she pays him on booze, and admits that his wife left him because of his perpetual drunkenness. Eventually, he gives up on the mission altogether, refusing to help Maddie anymore. While fetching water at a creek, Maddie stumbles across her father’s killer and is taken hostage by his posse. The leader of her captors threatens to execute her if Rooster doesn’t turn tail and head for home. Through a telescope, the outlaw sees Rooster riding away slowly over the brow of a hill. 

But then, minutes later, Rooster is back, facing four of the outlaws on horseback across a grassy clearing. While Maddie watches in astonishment, the elderly U.S. Marshall places the reins of his horse between his teeth, draws both revolvers, and rides across the field straight at her captors. 

I won’t tell you how the story ends, because it’s too good to spoil. If you haven’t seen it, you need to. But I will say that in an incredibly beautiful way, Rooster becomes the hero that Maddie had always hoped he’d be. A broken man burdened by regret, he risks everything for the girl he’s come to care about, a girl who looked beneath his smelly, drunken exterior and saw something noble – a beating heart still capable of “true grit.” Taking Rooster as he is, Maddie helps him recognize what he can become.  
I am deeply moved by this story, and the story of Peter, because in both tales I have seen the love of God that I so often struggle to believe. It’s a love that takes me just as I am, with all of my hang-ups and reservations. And yet, at the same time, it’s a love that looks forward to what I can become – a love that calls me into a new identity and a new mission. Yes, I’m still a knucklehead. But in a deeper and truer sense, in the eyes of my God, I am already a new creation. By the power of the Holy Spirit, I am being remade into the likeness of my Savior. When God looks at me, he sees the person that I will one day become. Looking at a shy, skinny fourth grader, he saw a beloved son with stories to tell. Looking at a recovering sinner, he sees a warrior capable of great courage and great love. 

I’ve felt like Rooster Cogburn numerous times throughout my life. Again and again, while I lay in the ruins of my poor choices, wallowing in guilt and mourning my mistakes, the Savior seeks me out. Gently and patiently, he stands me on my feet, brushes me off, places my revolvers back in my hands, and tells me, “I’ve still got a mission for you, and you’re still the man for the job.” I can’t be the man that he wants me to be in my own strength. God knows I’ve tried. But there is a promise that runs deeper than my doubts: “And I am sure of this, that he who began a good work in you will bring it to completion at the day of Christ Jesus” (Phillipians 1:6). Amen and amen. 

Dancing at the Depot

How do you feel about change? Do new experiences fill you with fear or with excitement? Are you a Luke Skywalker, gazing out across the desert behind your uncle’s moisture farm and wishing you were someplace else (maybe pulverizing the forces of evil, or just going to Toshi station to pick up some power converters)? Or are you a Bilbo Baggins, perfectly content in the warmth of your hobbit hole and deeply unsettled by the thought of dwarves showing up uninvited in your kitchen?

I’m a mix of the two (Bilbo Skywalker), and I think most of us are both in varying degrees. Some changes scare us. Others excite us. We’re eager to let go of some things. Others we hold onto for dear life. I love traveling to new places, trying new things, and meeting new people. However, there are other kinds of transition that I don’t like. I hate saying goodbye to friends who I know I won’t see for a long time. I’ve struggled with the transition from college life to life at home, where I sometimes feel stuck and wish I had more direction about where to go next. I hate watching the health of family members deteriorate as a degenerative disease takes its toll. I wake up early to get a head start on the day, and then find that the day is over way faster than I wanted it to be. Recently, I’ve been saddened to see bright yellows, burnt oranges, and deep reds disappearing from tree branches, rustling fields of dried corn giving way to bare stretches of dirt. I know winter’s on its way, but I wish fall would hang around just a little bit longer.

In today’s world, talking about the fleeting nature of things is viewed as dismal and downright awkward. We’re told over and over again that we need to carve out a name for ourselves, one that’ll stand the test of time. We buy stuff that’s built to last, stocking up on it to insulate ourselves against any losses that could come our way. We’re told to fight tooth and nail against the aging process (which, incidentally, does funky stuff to our teeth and nails) and to idolize youth and beauty. We fill uncomfortable silence with noise and distract ourselves from the daily grind with entertainment (I’m all-too-often guilty of this last form of escapism). But no matter how fast we run and how hard we fight against it, change has a way of sneaking up on us.

In some ways, our aversion to deterioration is a good thing, a natural response to a world that’s been messed up by human evil. We weren’t created to experience decay and death.  Physical suffering, dysfunctional relationships, and the loss of loved ones are facts of life on this earth; but they feel unnatural and wrong. We grieve these changes and ask why the world is the way it is. No matter how many times we do it, parting with friends and family never seems to get easier. As the Lumineers sing: “Nobody knows how to say goodbye. It sounds so easy ’till you try.” Even though we know in our bones that each of us will grow old and die, we yearn for life that is everlasting. Andrew Peterson put it well in his song “Day by Day”: we are all “children of eternity on the run from entropy.”

And yet, despite our honest complaints and our dishonest denials, decay and death are realities. Over and over again, the stories in the Bible talk about the passing of time as something that we have to come to terms with. Jesus talked a whole lot about the fleeting nature of our material possessions and the need to prepare for death. In Isaiah 40, the prophet Isaiah ponders the frailty of human life: “All flesh is grass, and all its beauty like the flower of the field. The grass withers, the flower fades…” (Isaiah 40: 6-7). Similarly, in the book of Ecclesiastes, we’re told that death is an intrinsic part of life: “For everything there is a season, and a time for every matter under heaven: a time to be born, and a time to die; a time to plant, and a time to pluck up what is planted…” (Ecclesiastes 3:1-2) Things come, and things pass away. That’s the way life is. However, the response to this reality that the author of Ecclesiastes encourages isn’t apathy or grim resignation. Rather, it’s enjoyment of God’s good gifts: “Go, eat your bread with joy, and drink your wine with a merry heart, for God has already approved what you do…Enjoy life with the wife whom you love…” (Ecclesiastes 9:7, 9)

How can we enjoy our lives, savoring every moment, when we know that the long black train is rumbling down the tracks to take us away? We live each day with our focus on eternity. If we’re only focused on the world around us, then we’re bound to get scared when the things that we’ve put our hope in start to fade away. However, those who follow the way of Jesus Christ are people who have put their hope in the eternal promises of God – the resurrection of our bodies, new life after the grave, and a renewed earth. For those who have this hope, the trajectory of time isn’t a downward spiral into empty space. It’s an arrow shooting upward, busting through the sky into a future that’s better than we could have dared to hope. God has promised to redeem every single thing that has been broken by human evil. As a wise hobbit once said, everything sad is going to come untrue. Even as we say our goodbyes, we cling to the truth that Ben Shive describes in his song “A Last Time for Everything,” the promise that “we’re low on loneliness, and long goodbyes are in short supply.”

For Christians, part of the beauty of the Halloween season is remembering that while death comes for all of us and while there are dark forces at work in the world, we don’t have to fear these things. We don’t have to fear elections that didn’t go like we had hoped. We don’t have to fear the process of growing old, or even the prospect of saying goodbye to loved ones. Through the death and resurrection of Jesus, the battle between good and evil has been won, and we’ve been invited to join the victory celebration. What has been lost will be recovered. We’ll see each other again. The long black train is still coming for us, but now we know where it’s headed. We can dance at the depot as we wait.

If we’re facing hardships, we can rest in the assurance that they will pass, if not in this life then in the next. While I was in the middle of writing this yesterday, my brother turned on the movie Cast Away (one of my all-time favorites), which is all about the passing of time and the daily challenge of holding on to hope. At the end of that movie, Chuck Noland, a former FedEx executive and the sole survivor of a terrible plane crash, reflects on his four years of isolation on a remote island. In a famous monologue, he describes a failed suicide attempt to his friend: “I couldn’t even kill myself the way I wanted to. I had power over nothing. And that’s when this feeling came over me like a warm blanket. I knew, somehow, that I had to stay alive. Somehow. I had to keep breathing. Even though there was no reason to hope. So that’s what I did. I stayed alive. I kept breathing. And one day my logic was proven all wrong because the tide came in and gave me a sail. And now here I am. I’m back. In Memphis, talking to you…And I know what I have to do now. I gotta keep breathing. Because tomorrow the sun will rise. Who knows what the tide could bring?”

If we’re enjoying the ride, we can savor each of God’s good gifts in the here and now as foretastes of what’s still to come. In the end, even the passing of time will be redeemed. The same passage of the Bible that says that human beings are like grass ends with this beautiful promise: “Even youths shall faint and be weary, and young men shall fall exhausted; but they who wait for the Lord shall renew their strength; they shall mount up with wings like eagles; they shall run and not be weary; they shall walk and not faint” (Isaiah 40:30-31). The eternal hope that Jesus gives is what fills the cycle of our days with meaning. Rich Mullins put it well in his song “Home”: “Knowing that morning follows evening makes each new day come as a gift.”

Today, on my drive home from work, tiny flakes of snow were falling outside for the first time this year. Looking out the window, I saw the farmlands bracing themselves for the cold. This year, I’ve watched the fields change from brown to green to amber and back to brown again. Winter’s coming. I can hear it puffing down the tracks. Like the earth, I’ve got to get ready. But until it comes, I’ll savor the colors still hanging on to the trees. And when the colors are gone, I’ll do my best to brave the snow as I wait for them to come back.